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Tweetnopsis: #XMen1stClass: Failed to impress with its revisionism, but I can’t help but admire Nick Hoult’s ability to claw his way back from obscurity. This is without doubt Matthew Vaughn’s worst film, but I’m willing to give him a pass because this is probably most most sutdio interference he’s had to cope with Continue reading: What I didn’t like about X-Men: First Class
Not only is it a captivating tale about Marvel’s least relatable hero, but red cape or no, it never felt like a comic book adaptation. Continue reading: Thor
A reconstitution of the Fast franchise that incorporates the most universal elements of The Fugitive and Ocean’s 11, and little else. Continue reading: Fast Five review
Steve has seen Sucker Punch and the news is good. Continue reading: Sucker Punch – Pure Decadent Eye Syrup
Neil Marshall takes us on another excursion into no man’s land. Continue reading: Centurion | A Familiar Journey into Hostile Territory
Sylvain Chomet’s L’Illusioniste was a spellbinding way for Steve to kick-off the Victoria Film Festival. Continue reading: The Illusionist | Depressing without being bleak
Steve thinks The Lovely Bones is worth a second look by just about everyone. Continue reading: The Lovely Bones (2009)
Soren Johnstone’s naturalistic style should serve as an example that budgetary concerns don’t have to stand in the way of beautiful cinematography. Continue reading: Play With Fire
If you liked Pineapple Express, there’s about the same attention to detail in the script here. Continue reading: The Green Hornet | The impression of a good script
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